Jun 28, 2014
Dollar Brand + 2: Peace (1971)
Ten years after Abdullah Ibrahim had left his homecountry he was able to record in South Africa again, resulting in two albums that are now considered classics.
Again, i wasn't able to find any review or further background on this album. With the exception of this excerpt from an article at Electricjive:
"Dollar Brand sent Kippie Moeketsi, Victor Ntoni and Nelson Magwaza a telegram asking them to come to Johannesburg and join him in making what were his first commercial recordings in South Africa since 1960. Produced by Rashid Vally, those records are now lauded as classics: Dollar Brand + 2 with Victor Ntoni and Nelson Magwaza (Gallo-Soultown KRS110) and “Dollar Brand + 3 with Kippie Moeketsi” - with Ntoni and Magwaza as well. (Gallo-Soultown KRS113)."
Since i'm not too familiar with Ibrahim's work, i feel unable to put these sides in context. What i can say is, that Brand's playing is pretty muscular, with a strong rhythmic element and the intense use of repetition, especially of course, on the two very long jams. There's an uplifting, almost jubilating quality combined with a deep melancholy in Brand's music. Though standing firmly in the jazz tradition, his very distinctive and unique style shows his South African background very clearly.
Dollar Brand + 2: Peace
Soultown, KRS 110, South Africa, 1971
This issue: The Sun SRK 786137, South Africa, 1976
A1 Shrimp Boats (P. M. Howard, P. Weston) 11:50
A2 Salaam (Peace) (Dollar Brand) 2:06
A3 Cherry (Dollar Brand) 5:10
B1 Tintinyana (Dollar Brand) 12:00
B2 Just A Song 4:09
B3 Little Boy (Dollar Brand) 2:50
Dollar Brand (p) Victor Ntoni (b) Nelson Magwaza (d)
Artwork – Winston Saoli
Liner Notes – Gordon Siwani
Producer – Rashid Vally
Labels:
1971,
Abdullah Ibrahim,
African music,
Dollar Brand,
Jazz,
Nelson Magwaza,
South Africa,
Victor Ntoni
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15 comments:
http://freetexthost.com/yfyptvilv3
pw: hideaway
thanks and i owe you a dollar
Cheers, porco, not heard this vintage set from DB...Once saw him at Shaw Theatre in London a few years ago...I was taking photos down near the front with my trusty Nikon, and during a quiet passage my camera clicks were louder than the music, which resulted in me getting a frosty look from the great man...gulp!
Hearty congratulations on yer five years blogging - I remember Guitar and the Wind, and GATW again (wasn't that the first revamp and change of name?)....also many of the problems that you've encountered along the way! All the best!
Thanks, JD.
Will never forget the incredile gig i saw him play in duo with Max Roach, two very serious gentleman playing otherwordly music...
I was just wondering how the situation for jazz musicians has changed over the years. In the 50s and 60s they had to play in small, crowded clubs against a noisy crowd talking and drinking where you hardly would have heard any camera clicking! Nowadays jazz is played in concert halls and you get a frosty look if you're too loud (think Keith Jarrett!).
Many, many thanks...
Porco - don't need to publish this, just a note in case you missed it at Avax on Sunday.. Laura Nyro live 2CD. Remember you favouring her...
http://avaxhm.com/music/rock/soft_rock/LauraNyroLiveTheLoom.html
Thanks, JD!
Thanks LPR! A South African diamond, to be sure!
Wooow! Incredible rare recording from 71, what can I say? Thanks for share this gift!
My pleasure, friends.
Many thanks, LPR. I've been trying to find another fine early album by Dollar Brand - 'African Piano' (1969). If you come across this one please let me know!
Don't have it, Jazzjet, but given that it's on ECM and has seen live as a cd in the 1990s, it should be easy to find.
@onxidlib
sorry, habe erst heute wieder in den Blog geschaut...
Very unique and enjoyable album. I had never heard anything by Dollar Brand. He sounds like he comes from a church tradition and has that spiritual/gospel sound to his chord voicings and approach. He also reminds me of Vince Guaraldi at times so to fall back on labels maybe this album reminds me of "Vince Guaraldi goes to church". I like what Mr. Brand brings to the table and how his music seems to reflect his own vision. Thank you LPR!
Many thanks
thank you very much
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