A beautiful, mellow jazz guitar trio album on the very tiny Focus label.
There's quite a bit of variety here, with "soulful" tunes, ballads, bossa nova and even two tracks with Chuck picking banjo! When was the last time you heard someone play "Dolphin Street" on banjo?
Wayne was a member of George Shearing's original quintet, acted as a musical director for Tony Bennett and did countless studio dates. His dates as a leader are only very few, though. Surprisingly jazzdisco.org assembled a discog for him (http://www.jazzdisco.org/chuck-wayne/discography/). Better known than "Tapestry" (and much easier to find) is "Morning Mist" recorded for Prestige and "Interactions", a classic guitar duo album with Joe Puma. All his albums are worth checking out.
Bassman Ernie Furtado is only little known, but at least featured on the AMG, who call him "utterly and unjustly obscure" and go on writing: "Fans of jazz guitar may have a copy of Tapestry by Chuck Wayne; if they can find one, that is. This classic recording is not only a brilliant album of jazz guitar, it contains much fine bass work from Furtado. But this is just one of many recordings the bassist made that has slipped out of circulation and public attention, whether the status is deserved or not."
The AMG article on drummer Jimmy Campbell is more extensive:
"Campbell was a favorite sideman of players such as Woody Herman, Stan Kenton, and Maynard Ferguson, meaning Campbell was a powerhouse big band drummer... He was also a subtle drummer when that was what was needed, sometimes just suggesting the time with brushwork....Campbell worked well with guitarists, a fact proven by the largely forgotten but brilliant effort by Chuck Wayne, Tapestry, which features an arrangement of "Greensleeves" on banjo. While he was on the scene, he was consistently named among the best jazz drummers in the jazz magazine Down Beat's annual critics' choice awards."
This was recorded sometime in 1963/64, but considering the "psychedelic" cover design, i'm wondering if it may have been issued a few years later. Yet, the few other albums on Focus i could find online - Carmen McRae (FS 334), Earl Hines (FS 335), Bob Dorough (FS 336), Bobbi Rogers (FS 337) - all appeared between 1963 and '65, making 1964 indeed the most likely issue date for "Tapestry".
While you see the mono version of this (Focus FM 333) now and then, the stereo version is pretty rare. Lucky me, i stumbled upon a Japanese vinyl reissue, which is not only in stereo but in perfect condition, too. Recording quality isn't the greatest, though, with a rather high amount of hissing on the quiter pieces.
The Chuck Wayne Trio: Tapestry
Focus FS 333, 1964
Thank The Lord
Softly, As In A Morning Sunrise
Greensleeves
'Round Midnight
Lady's Love Song
Askaterine
Loads Of Love
Down The Road
Satin Doll
My Favorite Things
On Green Dolphin Street
Chuck Wayne (g, bjo) Ernie Furtado (b) Jimmy Campbell (d)
Nola Penthouse Studios, NYC, 1963

16 comments:
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looks good for a mellow morning..thanks
Thanks very much for this one LPR.
Great album. Thanks LPR.
A lovely album ny an under-recognized guitarist.
He used to take Monday nights at a small boite in the East 60s called Gregory's. Seated no more than 30 on a busy night, and if you sat at the bar, you were literally right next to the musicians. Hod O'Brien and Al Haig were also regulars.
Like a lot of other great joints, Gregor's is gone. Too bad.
This is indeed an excellent album, so much so that I DL'd this as a second FLAC copy because of the Japanese remaster, the new clean rip, and the stereo version. One of my all-time favorite jazz tunes is "On Green Dolphin Street" and the opportunity to hear Chuck Wayne play it on banjo is a transcendent experience for me although the entire album is first-rate keeper for sure. Thank you LPR!
With such a write up, oozing with praise, it must be a winner, thanks LPR!
Looking forward to hearing this. Many thanks, PR.
It's my pleasure, Gentleman.
Many thanks for this album by an under-rated musician.
Not a guitarist I'm familiar with but the write-up and comments make it a must-have. Thanks, LPR.
Nice one! Thanks a lot.
Looking forward to hearing this. The cover design is fascinating. I'd have said '66 or '67 too, but if the '64 release is accurate, this makes it among the very first albums to feature recognisably psychedelic motifs on the cover. The Holy Modal Rounders first album was released in '64, and is generally acknowledged to be the first psychedelic cover (also featuring the first use of the word on a folk/rock album). Thanks!
My pleasure.
Fascinating issue, even more so since i love all things psychedelic ;-)
Googling the cover designer, Barbara Nessim, i came upon this article:
http://www.barbaranessim.com/article_Print_2.html
which states that around 1961 she designed clothes and fabrics, "anticipating by several years the popularity of psychedelic patterns and colors"!!!
Been meaning to tell you how much I'm enjoying this album, PR. What a lovely, cool, laid-back sound. Many thanks, once again.
My pleasure, Phillip.
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