Two superb pickers who recorded several instrumental albums for the "Le Chant Du Monde" label.
Judging from a title like "American Guitar", one may expect a repertoire of traditional American folk and blues tunes. But with the exception of a combination of Elizabeth Cotten's "Freight Train" and Etta Baker's "Railroad Bill", entitled Carolina R+R, and a medley of Scott Joplin rags, most of the tracks are original pieces by Waring and Mason. The only other covers are not even American tunes, but two standards of modern guitar playing by two Englishmen, the inevitable Angie and John Rebourn's Judy.
But the focus here is not on the material but different techniques of playing. Waring and Mason are both excellent and versatile musicians, that turn this album into a joy for all lovers of acoustic guitar music. This is highly recommended if you like Stefan Grossman, John Renbourn and the like.
Unlike the guitar album, "American Banjo" contains mostly traditional tunes. The approach here is a little more didactic, with a selection of well known standards like Shady Grove or John Henry and a cross-section of different music and picking styles.
Many tracks feature duet partners - guitar, bass, dulcimer, sax, violin - that give the album a more colourful athmosphere than the stark sound of the banjo alone could have produced. The most surprising duet partner may be Senegalese kora player Lamine Conté. Yet lovers of Westafrican music will be familiar with the combination of kora and ngoni, a lute from the Mandinge culture, which is seen as an ancestor of the banjo. With this in mind, opening the album with a hint to the banjo's Westafrican roots seems pretty logic. From here Waring draws a bow to almost "free" jazz pieces, allowing country, blues, rags etc. inbetween.
These albums were issued in the context of Le Chant Du Monde's "Special Instrumental" series. The series includes albums about the harp, bass, harmonica etc., and many titles are excellent.
Fortunately the French label approached young artists with pretty individual stlyes for this series, and therefore came up with very enjoyable, listenable records, not just dry ethnological evidence of a certain culture. All albums have fold-out jackets with plenty of pictures and explanations about the creation and playing of the instrument in question.
The German Pläne label reissued many of these titles a few years later. They came without the lavish cover design of the French pressings, yet had an inlay that included at least part of the pictures and information found on the orignal covers.
I pick up this series whenever i come across one of them and will show a few more titles here in the coming weeks.
Steve Waring & Roger Mason: Guitare Américaine / Die Amerikanische Gitarre
Le Chant Du Monde LDX 74441 - Spécial Instrumental (France, 1972) /
Pläne 88 150 - Instrumente der Welt (Germany, 1979)
A1 Eat What You Kill (Roger Mason) 2:20
A2 Thing In D (Steve Waring; Arr. by Roger Mason) 3:30
A3 Roger's Marriage Rag (Steve Waring) 1:55
A4 Angie (Davy Graham; Arr. by Roger Mason, Steve Waring) 3:20
A5 Françoise (Roger Mason) 2:50
A6 Carolina R+R (Elizabeth Cotten, Etta Baker) 2:00
B1 Old Country Rock (Roger Mason, Steve Waring) 1:47
B2 Annegramme (Steve Waring) 2:18
B3 Judy (John Renbourn; Arr. by Roger Mason, Steve Waring) 2:40
B4 La Marsa (Steve Waring) 2:22
B5 La Sainte Vierge (Roger Mason) 2:57
B6 Thanks Mr. Joplin (Scott Joplin; Arr. by Roger Mason) 4:05
Steve Waring (g) solo on A3, B2,4
Roger Mason (g) solo on A1,5,6, B5
Steve Waring and Roger Mason (g) A2,4, B1,3,6
Steve Waring : Le Banjo Americain / Das Amerikanische Banjo
Le Chant Du Monde LDX 74472 - Spécial Instrumental (France, 1972) /
Pläne 88 165 - Instrumente der Welt (Germany, 1979)
A1 Shady Grove 5:13
A2 Cripple Joe 2:20
A3 King William's March 3:35
A4 Old Molly Hare 1:46
A5 Suzanna's French Doodle 2:05
A6 900 Mille 3:35
B1 John Henry 3:20
B2 Georgie Buck 1:56
B3 Hot Foot Hen (La Poule Aux Pieds Chauds) 2:35
B4 Cinq Minutes Quarante Secondes 4:40
B5 Smokey City Blue 4:55
Steve Waring (bjo) Claude Lefebvre (g on A3, A6, B1, B3, B4) Kent Carter (b on B5) Mary Rhoads (dulcimer on B2) Lamine Conté (kora on A1) Anne-Marie Waring (spoons on A2) Steve Potts (sax on B5) Fiddlin´ Phil Fromont (vln on A6)


11 comments:
Thank you LPR, once again a very nice album. the kind of pleasing revelation i often experience at the hideaway. I really might ending up converted! Thank you so much for the wonderful music!
Still working hard to make you a convert, my friend ;-)
Thank you for these very interesting albums LPR. I'll be back after listening.
I listened to the banjo album and was quite impressed. It was more authentic than expected and at the end (Smokey City Blue) more adventurous than expected with the saxophone but always played with the enthusiasm of the moment. I loved the variety, the sparsity and the overall fine musicianship. This album gives me the impression that playing authentic American mountain music is like falling off of a log for Waring. I want to hear it again!
...and listened to the Guitar album. Loved it. Full of fascinating and quirky arrangements and excellent technique. Sounds like they had a lot of fun making this album and it feels very intimate and personal for the most part. Great stuff!
I share your enthusiasm for these, Kris.
Waring did a few more albums for Le Chant Du Monde. I hope to find them one day ;-)
been looking for these two for donkey's years!
thank you very much, marvellous rips!
new links:
http://freetexthost.com/ui2bbkgd0q
pass:hideaway
LPR,
Many thanks for reposting links for this LP. A very kind gesture. This recording looks very interesting to me as I much enjoyed the "Guitare Americaine". Cheers!
LPR,
Again, thank you for reposting this interesting and eclectic little gem of an LP. It is great to hear someone of Waring's ability exploring the many textures of his banjo. Too bad he didn't further explore the banjo-kora concept as heard on the first track....a brilliant idea linking the American banjo's roots to Africa. I would have liked to have heard where else Waring and Lamine Conte wandered together. Cheers!
You're welcome, MTW.
The first track is really special.
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